“It might not be going too far to say that he was…a genius,” then again, it definitely wouldn’t be going too far to say he was an egomaniac, and Vernon Halliday would have no qualms about saying he was “insane” (McEwan 143)(McEwan 161). What a guy, there’s clearly a lot going on there, and if you feel a compulsive need to analyze everything, then I must suggest that you “run nerds, RUN!” before we get into some of Clive Linley’s finer moments (Ms. Serensky). Delusional and selfish, Clive has only one love in his life, his symphony, it is to be his crowning glory, the defining moment of his career, except “Half the BSO [Boston Symphony Orchestra] refuse to play it” (McEwan 190). I could almost feel bad for the guy, if only he were capable of feeling bad for someone else. But his actions in the Lake District destroyed all hope of that, so I’ve adopted a mixed bag of indignation at his moral littleness and delighted amusement at his absurdities. Together with his old friend/mortal enemy Clive embarks on a journey to fill the “void…that only revenge could fill” (McEwan 173). The question is, how exactly can a book with two despicable main characters, bent on the destruction of the other, which culminates in a ruthless double murder be my favorite? Am I a terrible person? No, I am not, Ian McEwan is just a good writer, he crafts two characters with so little moral fiber and so much blind, self-deluding egotism that no matter what they do, you have to laugh. And so, without further ado, I would like to present the prestigious Kaleigh O. Best Book of AP English 12 Award to… Amsterdam!
"I feel like I can't talk any louder" -Kaleigh, Junior Year
"Can you hear her on the other side of the room?" -Ms. Serensky,
biweekly
Thursday, April 28, 2011
Monday, April 25, 2011
And Now For My Personal Favorites
1. My freshman year started off with a bang, and by that I mean a man in an oversized blouse and skinny jeans that laced up the side took to the stage in the brand new PAC playing an electric violin. Yes, the 6-12 orchestra students put on a concert with Mark Wood, an original member of the Trans-Siberian Orchestra. His dramatic performance style has made a lasting impression on the orchestra and he is referenced frequently in class, where he is thought of as “a man without…faults” (McEwan 32).
2. Now I don’t mean to diminish the excellent performance of the choir at Springfest last year, but I’m afraid they really couldn’t compete with the Frisbee infomercial, let alone the Gladiators dance team of years past, “What consummate artistry!” (McEwan 136).
3. On a more sincere note, I really enjoyed starting AP classes. The workload took a bit of adjusting to, but I distinctly remember driving home during the first week of Junior year and realizing that I had not once felt like my time was being wasted. It was, in every sense of the word, thrilling. I don’t wish to convey the sentiment that non-AP classes are always a “serious failure,” but they are often filled with people who just don’t care very much, which is frustrating (McEwan 138).
4. This next item didn’t happen during the school year, but it is closely tied to my academic career. While on summer vacation I received the news that I had passed my AP tests. It was such a relief, I had been living in fear that I would fail one or more of them and then not be able to look that teacher in the eye for the ensuing year, it would have been completely “demoralizing” (Wilde 1).
5. I know without a doubt that I will miss “Dear Journal,” these moments are undoubtedly among the highlights of AP English. I have especially enjoyed the evolution of the “Dear Journal” voice; apparently Thomas’s journaling persona is a British woman, “It’s delightful” (Wilde 9).
6. I have to mention our Othello field trip, Ms. Serensky seemed a little surprised when she announced it and we all broke into applause, I don’t think she realized what a big deal it was. Now that we are in High School, we hardly ever go on field trips, it seems like a little thing but it’s good to break schedule every now and then and have a day “full of excitement” (Kesey 255).
7. The Blogs themselves have been an incredible experience, when I think back to “that very first week” of the project I remember how anxious I felt, but I now have much more confidence as a writer (Kesey 323). Some favorite moments from the blogging experience are my “Déjà Vu” blog, which is the first time I really had fun writing a post as well as discovering how much fun it is to find pictures for all my posts.
8. By reading the list thus far you might have gotten the idea that AP English has dominated my academic life, and you would be correct. Much like the ‘“Combine”’ it takes over both the “Inside” and the “Outside,” that is, the class itself and everything outside of class (Kesey 28). Nonetheless I have taken other classes and they deserve some mention. A moment that stands out is when I finished the related rates packet I had to do over Winter Break for Calculus. It took a while but when I finally worked through the whole thing I felt like I was on top of the world, I’ve heard it described as a “math high,” I think that is apt.
9. Of course, I will return to AP English now. I loved writing the Amsterdam essay, even though Ms. Serensky totally freaked me out by piling on the pressure and expectations, once I got down to the actual writing it was an enjoyable experience, to borrow from the previous list item, it was an “English high.” To top it all off, I got a sticker on that essay (my reaction: “Good Heavens!”), which doesn’t happen to me very often and pretty much made my week (Wilde 8).
10. For my final item I want to return to the Blog project. I would say my blog has a very limited following and I never get more than a few comments. My moment of shining glory came when I blogged about Sarah Pe. Ross for her birthday, I had eight comments, my page-views shot up, and someone who isn’t even in AP English talked to me about my blog! It was pretty exciting, but I guess I owe my fifteen minutes of fame to Sarah’s ability to pose like a “bull goose loony” in pictures (Kesey 21).
Thursday, April 21, 2011
This is Just to Say...
This Is Just to Say
I love this poem
more than
all the rest
of the poems
I loved
the new versions
we wrote
“What a lesson” (Wilde 26)
Forgive me
our Cassio poem
shocked
and offended
It was truly an “intellectual pleasure” to compose a version of this poem from Cassio’s point of view; I had so much fun writing it with my group (Wilde 21). Unfortunately, when we read it, we got some looks of shock and dismay from the class at large, maybe it was our description of Cassio’s “friend” Bianca. Regardless of the lack of critical acclaim, it was one of those rare occasions where you could be “utterly absurd” and still learn (Wilde 30).
Bianca and Cassio |
Sunday, April 17, 2011
THE FACE
I had resigned myself to a class period of careful note taking as I dutifully pulled out a sheet of notebook paper in preparation for the movie. Happily, it soon became clear that this would not be at all like the time we watched Capote and I spent days frantically scribbling quotes and observations. I uncertainly tucked the paper back into my notebook and the day only got better from there. Ms. Serensky was pulling out all the stops in her effort to build suspense about a particular scene (I'm sure you all know where this is going). The anticipation was almost tangible in the room as the television switched on and the DVD loaded. Suddenly, and without warning, "A picture swirls onto the screen" of a truly horrifying visage (Kesey 143). It is "rather startling, even a little shocking" and it elicits exclamations of astonishment from the entire class and a physical display of revulsion from poor Gogol (McEwan 134). "My first impressions of people are never wrong" and this shock and horror was pretty typical of my overall opinion of Moushumi (Wilde 34). Nonetheless, I'm glad she cut such an absurd figure onscreen. I can almost forgive her for being such an all-around terrible and selfish person because of the onscreen amusement she provided. The image of her teenage self is forever burned into my memory and I will always be able to look back at this hilarious moment.
Perhaps Moushumi Should Have Taken a Cue from Ashima |
Thursday, April 14, 2011
A Friendly Visit
(The Lifeguard enters Algernon’s Morning-room, accompanied by Lane, the sound of someone munching on cucumber sandwiches can be faintly heard in the adjacent room)
Lane: I am sorry my master is not in at present, would you like to leave a card and call again later?
Lifeguard: “I ain’t ready” to go yet, I’ll wait for him a little while, got anything to eat? (171).
Lane: I do wish I could offer you some refreshment sir, but “There were no cucumbers in the market this morning…Not even for ready money,” I’m afraid the best hospitality I can offer is bread and butter (8).
Lifeguard: Better than what they serve in the Disturbed Ward, got anything to drink?
Lane: “I do my best to give satisfaction, sir” (18). And I can in fact offer you some champagne, I assure you that, as Mr. Moncrieff is a bachelor, it is of the finest quality, unlike “married households [where] the champagne is rarely of a first rate brand” (1).
Lifeguard: I don’t know if that’s such a great idea, see “I got picked up for drunk and disorderly” a while back and now I been committed to a ward for “eight years and eight months,” I ain’t been allowed to go back to playin’ football all that time (171).
Lane: How very unfortunate. Sir, I don’t think my master will be in today, as that is the case, perhaps you do not want to wait any longer for him.
Lifeguard: “I’d have left here before now if it was up to me” (171).
Lane: (with a tone of uncertainty) “Yes, sir” (1). (Lane appears to be pondering the Lifeguard’s words intently). Of course it is not my place to ask questions but, sir, you are not making any sense, you are perfectly free to go at any time.
Lifeguard: You have no idea Lane, “I’m about to get real weird with it.”
Lane: I really do not follow your logic, and I must act that you refrain from any weirdness in Mr. Moncrieff’s Morning-room.
Lifeguard: (his eyes begin to glaze over) Too late Lane, “I’m committed” (171). (He starts “spitting numbers and [drops] to all fours in a line stance” (170))
Lane: Sir?
(The Lifeguard charges towards Lane and tackles him to the ground)
Lane: OW! OW! SIR! WHAT… I REALLY… OK… I LIED ABOUT THE CUCUMBERS! ALGY’S IN THE NEXT ROOM …HE’S SO GREEDY WITH THEM I COULDN’T STOP HIM …OW! OW! I MUST ASK YOU TO LEAVE …OW...IMMEDIATELY!
The Elusive Cucumber Sandwiches |
Sunday, April 10, 2011
A Perfectly Frightful Day
Gwendolen in the 1986 BBC Version |
Dear Diary,
The worst thing happened today, I thought I would sit in on an AP English 12 class, but it did not go at all as I expected. I suppose I should have known the morning was doomed when I sat down in the wrong seat, I was "quite comfortable where [I was]" but another student unceremoniously demanded that I move, it was so embarrassing (8). I take comfort only in the fact that I did not muddle through the confusion alone, Marc exclaimed that he "never knew which seat was his." Since others struggled equally I place the fault on the chairs, rather than myself. I feel great relief in the knowledge that I may continue with the distinction of telling other that I am "never wrong" (10). But my trials did not end there, suddenly and without warning the students began to hurl literary devices about the room in a rapid-fire discussion. Not wanting to be left behind, I announced that the main character symbolized societal "ideals," a topic I am quite fond of and was prepared to converse on at length (10). To my utter shock the teacher did not allow me to develop my point but informed me that people are not symbols, they are synecdoches. By this point I felt more foolish than I had over the chair incident, I cannot bear such correction. Really, the "old-fashioned respect for the young is fast dying out" (17). Many people talk of suffering in the world, and I finally feel I may say I have suffered as well, I simply cannot imagine anything worse than such a day.
Until Tomorrow,
Gwendolen
Wednesday, April 6, 2011
In The Office of Final Judgment
Interviewer- Name?
Subject- I’m sure you’ve heard of me, don’t you recognize me?
Interviewer- No, I don’t think you’ve been here before.
Subject- Well, I must say… Perhaps you would recognize a little tune… I don’t suppose you have a piano?
Interviewer- No such luck. If you could just give me your name I can pull up your file.
(Subject draws himself up to his full height and a lengthy pause ensues)
Subject- I am none other than Clive Linley, although between you and me and I do fancy myself “Vaughan Williams’s heir,” you know, the great composer (23).
Interviewer- I see
Subject- Did you note the part about Vaughan Williams? That’s important.
(Subject attempts to peer across desk to read interview notes)
Interviewer- Of course I did, I’m sure they will be very interested in that Upstairs.
Subject- Upstairs? Where are we?
Interviewer- This is the Office of Final Judgment
Subject- I’m afraid I don’t understand. Is this a government office? I really think I should be going now; I have just a few finishing touches for my Symphony. It was commissioned you know, by Parliament; I beat out McCartney for the job.
Interviewer- Mr. Linley…
Subject- Please call me Clive…
Interviewer- Clive, you need to know, you’re dead, and have been for several hours. Now if we can just sort through your records you can move on.
(Subject seems to be at a loss for words)
Interviewer- Now Clive, there seems to be an interesting incident which occurred recently in the Lake District, can you tell me about that?
Subject- Oh… well… not my proudest moment but… had I known… no idea there was a record, an examination at the end…
Interviewer- I find it is safe to assume that there is usually an examination at the end, take AP English 11. If I had neglected my studies throughout the year I hardly could have expected to pass the AP test.
Subject- But as to neglect, I’m not sure that’s entirely fair to say.
Interviewer- You yourself noted that the woman in question was “looking for a stone to use as a weapon,” and yet you declined to interfere, I don’t know how else to describe it but neglect (95).
Subject- Well when you put it that way… How exactly am I being graded?
Interviewer- On a scale of one to nine
Subject- You mean to ten, wouldn’t that make more sense?
Interviewer- It is based on the system of judgment utilized in AP English 11
Subject- What is it with AP English 11? I really don’t see how it is relevant at all.
Interviewer- Neither did I at first, but as the year went on, I saw how it taught me to analyze more than books in class. I found I picked up on subtleties in other books, as well as movies and I found the improvement in my writing skills invaluable. The essays on my other AP tests were a walk in the park in comparison to AP English essays.
Subject- Well I’m glad you’ve worked that out, but can we bring the attention back to me?
Interviewer- Right, so Lakeland?
Subject- But we could talk about AP English 11 some more if you wanted to.
Interviewer- Don’t avoid the question, that is the most important thing you learn in AP English 11, answer the question, if you don’t, you can’t hope to get higher than a 4.
Subject- A FOUR! Are you suggesting that you would give me a FOUR, just because I was avoiding your questions? ABSURD! You know, I didn’t want to appear arrogant but I am “A genius” and geniuses don’t get fours, they get tens, or nines, or whatever is the highest number in your ridiculous system (143)!
Interviewer- Please don’t shout, I’ll have to call security
(Silence)
Interviewer- Clive, you have to talk eventually
(Silence accompanied by dirty look)
Interviewer- (on intercom) we’ve got a difficult one in Interview Room C, can I have a supervisor in here?
Subject- I’m sure you’ve heard of me, don’t you recognize me?
Interviewer- No, I don’t think you’ve been here before.
Subject- Well, I must say… Perhaps you would recognize a little tune… I don’t suppose you have a piano?
Interviewer- No such luck. If you could just give me your name I can pull up your file.
(Subject draws himself up to his full height and a lengthy pause ensues)
Subject- I am none other than Clive Linley, although between you and me and I do fancy myself “Vaughan Williams’s heir,” you know, the great composer (23).
Interviewer- I see
Subject- Did you note the part about Vaughan Williams? That’s important.
(Subject attempts to peer across desk to read interview notes)
Interviewer- Of course I did, I’m sure they will be very interested in that Upstairs.
Subject- Upstairs? Where are we?
Interviewer- This is the Office of Final Judgment
Subject- I’m afraid I don’t understand. Is this a government office? I really think I should be going now; I have just a few finishing touches for my Symphony. It was commissioned you know, by Parliament; I beat out McCartney for the job.
Interviewer- Mr. Linley…
Subject- Please call me Clive…
Interviewer- Clive, you need to know, you’re dead, and have been for several hours. Now if we can just sort through your records you can move on.
(Subject seems to be at a loss for words)
Interviewer- Now Clive, there seems to be an interesting incident which occurred recently in the Lake District, can you tell me about that?
Subject- Oh… well… not my proudest moment but… had I known… no idea there was a record, an examination at the end…
Interviewer- I find it is safe to assume that there is usually an examination at the end, take AP English 11. If I had neglected my studies throughout the year I hardly could have expected to pass the AP test.
Subject- But as to neglect, I’m not sure that’s entirely fair to say.
Interviewer- You yourself noted that the woman in question was “looking for a stone to use as a weapon,” and yet you declined to interfere, I don’t know how else to describe it but neglect (95).
Subject- Well when you put it that way… How exactly am I being graded?
Interviewer- On a scale of one to nine
Subject- You mean to ten, wouldn’t that make more sense?
Interviewer- It is based on the system of judgment utilized in AP English 11
Subject- What is it with AP English 11? I really don’t see how it is relevant at all.
Interviewer- Neither did I at first, but as the year went on, I saw how it taught me to analyze more than books in class. I found I picked up on subtleties in other books, as well as movies and I found the improvement in my writing skills invaluable. The essays on my other AP tests were a walk in the park in comparison to AP English essays.
Subject- Well I’m glad you’ve worked that out, but can we bring the attention back to me?
Interviewer- Right, so Lakeland?
Subject- But we could talk about AP English 11 some more if you wanted to.
Interviewer- Don’t avoid the question, that is the most important thing you learn in AP English 11, answer the question, if you don’t, you can’t hope to get higher than a 4.
Subject- A FOUR! Are you suggesting that you would give me a FOUR, just because I was avoiding your questions? ABSURD! You know, I didn’t want to appear arrogant but I am “A genius” and geniuses don’t get fours, they get tens, or nines, or whatever is the highest number in your ridiculous system (143)!
Interviewer- Please don’t shout, I’ll have to call security
(Silence)
Interviewer- Clive, you have to talk eventually
(Silence accompanied by dirty look)
Interviewer- (on intercom) we’ve got a difficult one in Interview Room C, can I have a supervisor in here?
Subscribe to:
Posts (Atom)